maybe one day . . .
That night I fell into the pharmacy I thought I was in a lucid dream So I burned it down Anything that you could ever need I'll just think real hard about And they'll give it to me Jumped over the counter A phone rang and I yelled "Don't you fucking answer" Your hair was all matted You looked so fantastic In those sweatpants That fabric felt so romantic With all the drugs you could imagine Think of all the parties we could make happen Turns out these clouds were hanging on strings So let's get high and cut them down And watch them fall on everything Listen, there's nothing that I can't do I've tried and I just can't lose So sharp So smart So serrated Turned your inattention into amazement On your couch undoing each other's buttons Dentyne breath and turning stomachs With all the drugs you could imagine Think of all the parties we could make happen I was blacked out in the basement Like a soft pillow on hard pavement Humming a slow song Of stray dogs and car alarms Now I'm half-lit Knocking on your door Could have sworn I'd been here before What'll you do now? They've cut me off Are you better off? Only time will tell What'll you do now? They've cut me off Are you better off? Only time will tell I'm half-lit Connected A magnet I'm stagnant

charlottan:

memewhore:

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quinntheestallion:

People who don’t do or create shit are always the most critical because they have no frame of reference. They severely underestimate how much energy it takes, how much fear and other psychic burdens need to be overcome, the sheer amount of relentless persistence, faith and self-belief it takes to put something, no matter how feeble and shitty, out in to the world.

It seems so easy just looking. “I could do that”. “I could’ve made that”. Well then do it. Look at the most feeble and easy looking creative work and then replicate it in your own way. And with no irony or hiding or joking- in all sincerity put your name on it - and show it to others. People you know in real life. As a representation of yourself. See how it feels. You’ll have a new appreciation and softness towards creative friends and strangers.

lohboh:

komaeda isn’t a danganronpa character to me anymore he’s a specter haunting europe

Microsoft in talks with Discord over $10 billion-plus acquisition: report

raccoonspooky:

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Fuck a personality test. Which label sticker r u?

sad-plath:

Mark Horn

joebidensbignaturals:

eatpussypraylove:

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Favorite adderall review

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deneveve-is-lost:

genghisyajj:

lgbtunis:

lgbtunis:

lgbtunis:

“how does judaism exist in this fantasy world” dont overthink it. let me do the overthinking

“why does fantasy christianity exists in those 839384747437 fantasy worlds” is also a question worth asking

every mainstream fantasy these days is like Go- i mean. the allfather, and the virgin mar- i mean, the blessed lady, and. um. the martyr. who is so definitely not jesus. who died for our sins-

like i get what you’re saying here, but the reason christianity keeps getting reproduced in fantasy is because the politics of western europe were caused by the existence of christianity. like i get what you’re saying but western fantasy is based almost entirely on an era and location that were completely defined by christianity. like what you’re saying makes sense but there is an actual reason people write like that.

Congratulations on recognising the problem have a gold star

ra3theemo:

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silly cat reactions

vangoghcore:

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by kyleincpt

sumeiru:

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ryoppi05670209

sagwgastrikeupdates:

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Update from the WGA on negotiations

secretlyatargaryen:

oriko-mikuni:

I feel like when I say ‘relatable’ what I really mean is ‘resonant.’ I don’t want characters who I feel are like me, I want characters who have emotions so strong I can feel them through the page.

I think this is important because a lot of us forget the power of stories to make us feel things about characters who are not like us, who have experienced things that we never will. The purpose of listening to someone else’s story should not necessarily be identification, but understanding.

taros:

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